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Great Mythologies of the World
Great Mythologies of the Wld
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Genre: eLearning / Mythology, Histy, Mality
Mythology has provided fascinating and thrilling sties that are central to our lives, even today. The deep-seeded igins and wide-reaching lessons of ancient myths built the foundation f our modern-day legacies. Serving as entertainment, a means to bond, a way to pass along histy, and as vessels f imptant lessons, mals, and rules, myths are prevalent in every civilization wldwide.
In Great Mythologies of the Wld, you'll travel through space and time to access some of the greatest myths in histy from Europe, the Americas, Asia, Africa, and the Middle East. You'll examine what makes these famous sties so imptant, distinctive, and able to withstand the test of time. You'll also discover how, despite geographical implausibilities, many myths from across the oceans share themes, mals, and archetypes.
Four esteemed professs, each a renowned expert in their fields, will transpt you to exotic locations and ancient civilizations in this 60-lecture series. You'll become immersed in the geographies and cultures each section features, aided by dazzling visuals, images, photos, maps, and graphics. This course is a feast f the eyes and the mind.
Dr. Kathryn McClymond, Chair and Profess of the Department of Religious Studies at Gegia State University, kicks off your journey. She highlights different aspects of the classic Western myths you may have heard of, and introduces you to a wld of mythology that may be new to you. Auth of two books and numerous academic articles, Profess McClymond is an ideal guide to lead you through the epic battles and vengeful gods of Europe, the Middle East, and South Asia.
Dr. Julius H. Bailey, Profess of Religion at the University of Redlands, then guides you through the complex and fascinating wld of African mythology. Profess Bailey is a sought-after expert in the fields of African mythology and African-American religious histy.
Then travel to Asia and the islands of the Pacific Ocean with Dr. Robert Andr? LaFleur, Profess of Histy and Anthropology at Beloit College. The mythologies of Asia and the Pacific are vibrant and eloquent, and you won't find a better guide than Profess LaFleur. His current wk combines histical research using Chinese, Japanese, and Kean sources with anthropological fieldwk on each of China's five sacred mountains.
You'll conclude your global journey in the Americas, studying folkle and mythology of nth and central American indigenous people, led by Dr. Grant L. Voth, Profess Emeritus at Monterey Peninsula College. Profess Voth is the auth of me than 30 articles and books and a popular Great Courses profess.
Ancient Europe
Epic battles between titanic gods. Perilous quests f lost treasures and the comft of home. Magical items imbued with the power to protect-and destroy. The great myths of ancient Europe are a treasure trove of sties that have transfixed us f thousands of years.
But whether it's the near-impossible labs of the ancient Greek hero Herakles, the violent founding of Rome by the wolf-raised brothers Romulus and Remus, the cosmic exploits of the hammer-wielding Nse thunder god Th, there's so much me to ancient Europe's myths than just entertainment and wonder. When looked at closely, these tales actually open wide ShiChuang on the cultures that produced them. They reveal how ancient Greeks, Romans, Scandinavians, and other European civilizations:
saw themselves in relation to the natural and cosmic wld;
gave direction, value, and purpose to their everyday lives;
made sense of social, histical, and philosophical concerns; and even
laid the narrative groundwk f the future of Western literature.
"Rich myth traditions are like the land under an imptant histical site," says Profess Kathryn McClymond, an expert in religion and narrative at Gegia State University. "Careful archaeology reveals layer after layer of human experience, reflecting everything from a king's lofty dreams to a common woman's daily routine."
Now, in Great Mythologies of the Wld: Ancient Europe, join this renowned expert f an extended dig into the deepest layers of Western myths, legends, and folktales. Over the span of 12 fascinating lectures, you'll dive into entertaining sties of warris, gods, monarchs, and monsters with an eye toward capturing why these particular sties are so critical to our understanding of the distant past, and why they still speak to our lives today-long after the civilizations that produced them have disappeared. As vibrant and engaging as the myths they exple, Profess McClymond's lectures offer new insights into the creation sties of Western civilization.
Gods, Heroes, Magic, and Me
How was the wld created, and who was responsible f creating it? How were great empires bn and nurtured? Why are certain spiritual beliefs held and rituals practiced? In essence: Why do we live the way we do? Myths are the tools ancient cultures used to answer these and other profound existential questions, and in this course you'll exple some of the greatest sties the Greeks, Romans, and Europeans told in an efft to make sense of the wld.
Each lecture of Great Mythologies of the Wld: Ancient Europe focuses on a particular myth series of mythological ideas. Profess McClymond, with stytelling prowess that makes these lectures a delight to listen to, transpts you back in time and allows you to experience f yourself the excitement and drama of these wildly entertaining sties. But you'll do me than just enjoy the content of these myths; you'll get a histian's understanding of how they shaped and influenced daily life f the people who saw them as me than just tall tales.
Prometheus's daring theft: The tale of Prometheus stealing fire from the Greek gods is one of several that, me than others, demonstrates just how intertwined are the fates of gods and men in ancient Greek thought. You'll investigate how different versions of the sty cast Prometheus as a liberat of men- just a hot-tempered troublemaker.
Jason's epic quest: Come to see the voyage of Jason and the Argonauts as a somewhat darker, me melancholic version of Odysseus's journey back to Ithaca; one that reflects the rise of Roman rule in ancient Greece. Rather than thinking of Jason as just another hero, you'll learn to see him as the hero that could have been but never was.
Odin's great sacrifice: At the top of the Nse pantheon is Odin: a judge, a shaman, and a fighter constantly driven by his desire to overcome evil. What was gained by his dramatic self-sacrifice on the cosmic tree Yggdrasil, and how did it solidify his role as "All-Father" and leader of other Nse gods (including the best-known of them, Th)?
Dagda's magic harp: Irish mythology is often overshadowed by that of ancient Greece and Rome, but it contains a pletha of fantastic adventures and characters. Among the ones you'll exple is the myth of Dagda, a warri from an ancient race of beings whose magical oak harp could cause people to behave in particular ways, and could even der the seasons.
If you're familiar with some of these myths, prepare to think about them in new ways. If these are new to you, you'll quickly understand why they still endure.
A Foundation f Further Explation
Great Mythologies of the Wld: Ancient Europe is designed, above all, to give you a comprehensive understanding of how myths relate to human experience. Profess McClymond takes care to ground each of the great myths she covers in well-rounded detail: citing the literary and al traditions behind them, pondering contradicty accounts and differing variations, and stressing the cultural legacies these ancient perspectives have in contempary music, literature, and film.
So whether you're learning about
the connective tissues between Persephone and Panda,
the evolution of the "mother goddess" in various mythological traditions,
the Stone of Fal and other magical treasures from Celtic folktales,
you're always in the hands of an instruct attuned to the power and imptance of myth on the human experience.
"It's hard not to feel we've just barely scratched the surface," Profess McClymond says of her course. "But we've laid a foundation that will enable you to exple further ancient Greek, Roman, and European myth traditions."
The Middle East and South Asia
No true understanding of wld mythology-its deep-seated igins, its wide-reaching sties, its modern-day legacies-is complete without an understanding of Middle Eastern and South Asian mythology. In fact, most of what makes these myths so imptant is just how distinctive they are.
Unlike their Western counterparts, meaning-making sties from Babylon, Egypt, Persia, India, and other countries are defined by:
me fluid interactions between the everyday and the divine,
a me potent sense of place and a connection with specific landscapes,
an abiding tension between the wilderness and civilization, and
a stronger emphasis on how gender and power shape social roles.
It's the distinct personality of myths from this part of the wld, and their relative unfamiliarity to those of us in the West, that make them so fascinating to exple. And in Great Mythologies of the Wld: The Middle East and South Asia, renowned Profess Kathryn McClymond of Gegia State University guides you through some of the most imptant tales. Focusing specifically on sties that blur the line between myth, histy, religion, and philosophy, Profess McClymond's 12 lectures offer a stirring look at the role mythology plays in this part of the wld. How have sties from the Ramayana, One Thousand and One Nights, and me shaped both individuals and entire social movements? What can the adventures of Egyptian gods, Old Testament everymen, and ancient Persian princes tell us about how life was lived in these parts of the wld? What do they share with other myths from the East and West? Me than just introducing you to the region's great myths, this highly entertaining course takes you deep inside the mindset of places and times in histy feign to many of us.
Ancient Myths-From the Sht to the Epic
From sht tales to epic poems five times the length of Homer's Iliad, mythological tales from the Middle East and Asia offer you the chance to plunge into unfamiliar wlds and discover the heart and soul of how ancient people lived, felt, and interpreted their societies. Featuring a cast of troubled heroes, vengeful gods, all-powerful rulers, warring princes, and mysterious spirits, these exciting lectures help you navigate myths that thrived during the glies of the Babylonian Empire, the reign of the Egyptian pharaohs, the time of the Buddha, and me.
The epic of Gilgamesh: Why has the Babylonian hero sty of an ancient king, his companion, and their battles with ogres and seductive goddesses endured f over 4,000 years? What can we learn by going back to the five ancient poems that serve as this epic's foundation?
The Ramayana: One of the greatest epics of Indian culture is the Ramayana ("the doings of Ram"), and Profess McClymond reveals how the title hero's challenges in becoming king of an ancient town are, in truth, an extended mality tale about the Hindu virtue of obedience.
The Book of Kings: Mixing histy and fiction, The Book of Kings (Shahnameh) is best read as an anthology of Iran's kings and heroes-with some liberties allowed to include magical creatures and powers in its depiction of ancient Persia's mythical, heroic, and histical ages.
Tales from The Arabian Nights: Discover how the adventures of Sindhbad the Sail, Aladdin, Ali Baba, and other treasured sties from the elabately constructed One Thousand and One Nights sparked themes and motifs that would reappear in later European fairy tales.
Along with these and other myths, you'll examine sties that can also be read as myths, even though we're me likely to think of them as religious philosophical texts. Among them:
the Book of Job, which, when looked at from a mythological perspective, challenges us to rethink our place in the wld (and our suffering) by viewing it from a cosmic perspective;
the teachings of the Buddha, which spread so widely throughout India, Sri Lanka, China, and Japan that its mythological teachings began to reflect distinctive elements of each culture; and
the lives of the pharaohs, whose mythological aspects (even embedded in their royal titles) tended to hammer home their divine right to sustain der in ancient Egypt.
Discover the Joy of Cultural Stytelling
With the same captivating stytelling powers and intellectual insights that have earned her numerous teaching accolades (including Gegia State University's College of Arts and Sciences Outstanding Teaching Award), Profess McClymond brings familiar and unfamiliar sties to vivid life. Her knowledge of wld mythology is superb, and her wonder at how early communities explained the wld and imparted knowledge is undeniably contagious.
With Great Mythologies of the Wld: The Middle East and South Asia, you'll fill a critical gap in your understanding of how human civilizations have relied on mythology-regardless of where they emerge. And in the process, you'll also discover the sheer joy of imaginative cultural stytelling.
No course on wld mythology is complete without considering the sties of Africa. While you may be familiar with some of the me well-known characters such as the spider Anansi, Great Mythologies of the Wld: Africa will exple a pletha of lesser-known characters and tales that seem remarkably familiar because the themes and lessons have permeated through great myths wldwide. Discover the fascinating variety and complexity of African myths, and meet the rich cultures that produced them.
The Mother of All Mythology
You could consider African myths as the mother of all mythology, as many of the African sties date back centuries befe the better-known myths of Greek and Rome. Although initially maligned as "primitive," African mythology is overflowing with the types of brave heroes, beautiful maidens, fearsome battles, mischievous tricksters, and captivating tales of triumph and heartbreak that are the foundation f all of the dramatic sties, fairytales, and fables we know and love today. Ripe with deep thought and cherished ideals of civilization, African mythology has had a profound impact on how our wld has come to be.
Exple how African mythology shares, and likely inspired, many of the themes found in myths wldwide. igin sties, tricksters, tales of vengeance, and other well-known patterns woven through the tapestry of sties wldwide can be traced back to some of the first known myths from Africa. We'll look in depth at Africa's great epic tradition, and how the dramatic and powerful sties were actually perfmed. In addition to examining how African stytelling inspired myths across nations and centuries, even up to our modern-day soap operas, we'll also compare characters, sties, and themes from all over the continent, including myths of the Soninke people of West Africa, the Maasai of Kenya in the East, the Berbers of Algeria and Mocco in the Nth, and the San people of Africa's South.
Humanity and Gods
The relationship between humanity and the gods in African mythology is complex. While the same fundamental questions about life exist across each society, their understandings of the nature of gods tends to govern the answers that appear in their sties. In some African myths, the creat god spirits initially have a close relationship with humanity, but later distance themselves from their creations. In other sties, the creat remains aloof distant from the start. The way in which the sacred pervades everyday life in African cultures makes people's relationship with the divine especially immediate, intimate, and powerful, but as we'll see, that doesn't mean that the relationship is free of tension and conflict.
Although the supreme creat god in African religions is usually remote from humanity, lesser divinities are often heavily involved in human affairs. In this course, you'll examine the wide range of African deities, from the fierce and vengeful god Shango of the Yuba people, to the kindly Baganda goddess Nambi, who marries a mtal, to the mysterious and unpredictable djinn who appear in tales from Africa's nth. The interactions between African gods and mtals express many different ways of conceiving of the relationship between mtal life and the divine.
How African Myths Address the "Big" Questions
African mythology, like the myths of most peoples, reflects a deep concern with death, raising questions that seem common to all humanity: Why do we have to die? Do we deserve death? Can we bring back our lost loved ones? In myths concerning death, some of African mythology's greatest wisdom and most striking imagery are on display. As in the Bible, many African myths tell of a brief period after creation when human beings enjoyed immtality. Invariably, though, something occurs that destroys that idyllic situation-often, human disobedience. In this way, the sties seem to serve at least partly to undersce the imptance of following divine instructions and adhering carefully to communal law. To grasp the meaning of much of African mythology and place it in proper context, we need to understand the religious cosmology within which African myths developed and the perspectives on the wld that shaped them. However, phenomenal diversity exists among African religions, even now that Christianity and Islam are firmly rooted on the continent. Further, Westerners may have difficulty making sense of African religious beliefs because African societies tends to blur the boundaries between the secular and the sacred in ways that Western religions do not. Nevertheless, we can identify a number of attributes in African cosmology that can serve as guideposts in our explations.
The Hero's Quest: An Everlasting Theme
In African mythology, as in myths around the wld, it's not uncommon to find characters traveling to the land of the dead to face an ultimate challenge and experiencing a transfmation as a result. One genre of myths focuses on the deeds of culture heroes-usually male figures who are said to have played key roles in the founding of societies who otherwise distinguished themselves in their peoples' past. Although it's often impossible to know whether a particular culture hero ever existed, such sties offer tantalizing hints at how certain societies may have taken shape. And fact-based not, they inevitably capture something essential about the characters of the societies that tell them. Exple a number of culture hero sties, ranging from those that are probably highly fictionalized to those that seem much me histically plausible.
Asia and the Pacific
The sun goddess, Amaterasu, has hidden herself from the wld, and must be coaxed back by the spirit of unbridled joy. After a terrible flood, a sister and brother must rely upon their animal companions to make a perilous journey to bring back life-preserving fire. The herd boy and the weaving maiden, star-crossed lovers, must wait until the seventh day of the seventh month to reunite, the one day each year that they may spend together. These and many other intriguing tales are expled in Great Mythologies of the Wld: Asia and the Pacific, a compelling journey through Eastern mythologies. Your guide is Profess Robert LaFleur, an award-winning Profess of Histy and Anthropology at Beloit College in Wisconsin.
The mythologies of East Asia and the Pacific contain an astonishing array of cultural and histical themes. The variety among them is influenced by differences in geography, histy, and means of transmission from one generation to the next. F example, the highly complex cultures that created thousands of years of written tradition in mainland China had different challenges and resources from people who lived comparatively unstructured lives on cal atolls in the Pacific and were guided by al traditions f millennia. Despite these differences, there are also overarching motifs that appear again and again across centuries and vast distances, linking these traditions together.
Society and Sacrifice in a Watery Wld
The three most significant and ubiquitous themes in these myths are social netwks, sacrifice, and the omnipresence of water. From China's Yellow River Valley to the vast Pacific Ocean surrounding Japan, Australia, and the islands comprising Polynesia, Indonesia, the Philippines, Micronesia, and Melanesia; and from the ice and snow of Kea to the cross-cultural conception of the Milky Way as a great river across the sky, water is everywhere, in daily life and in the sties of these civilizations. The imptance of effective and cooperative social structure in surviving this watery wld is undersced time and again:
in the Chinese sties of Fu Xi and other early culture heroes, who teach early humans to descend from the trees and make fire and other tools;
in the Hawaiian sties of Ku and Hina wking together to provide and secure bountiful seas and fertile fields to feed their hungry people;
in the Melanesian tale of Qat's instructions to his brothers on how to accustom themselves to his gift of the rhythms of night and day.
The idea that self-sacrifice is sometimes required to create something valuable to save others is another prevalent theme throughout the region:
in the myth of the cosmic spider of Micronesia, the wm that lifts the vault of heaven dies of exertion;
in the sty of Shennong, Chinese god of agriculture, who creates f his people a catalog of safe and hazardous foods, poisoning himself over and over in the process;
even in children's sties, such as the tale of a snowman that throws itself onto a fire to save its creats.
Points of Divergence and Convergence with Wld Traditions
An imptant fact to consider when studying mythology is the method of transmission from generation to generation: are these sties part of an al tradition, were they iginally recited and then recded late in their histy, are they part of an ancient written tradition? Like many parts of Europe, South Asia, and the Middle East, China has a written histy extending back f millennia, and this histy includes foundational myths. Kea and Japan also have mythological accounts that are hundreds of years old, but an enmous amount of time passed between the iginal telling of the myths and when they were first recded. These collections were written in classical Chinese and were deeply influenced by waves of cultural browing from China, leading to questions of how iginal Kean and Japanese elements may be separated from Chinese influence. In Micronesia, Polynesia, Melanesia, Indonesia, and Australia, the question of cultural authenticity is even me fraught; every wd we hear about their ancient tales was written down in Western languages, by missionaries, anthropologists, traders, and colonial officials. None of these societies created a system of writing, so their mythology had been made up of a constantly regenerating al tradition. All of these vibrant, constantly evolving myths were written down, and sometimes profoundly altered, by outsiders, and they became frozen in time. This situation is also common in many parts of Africa and the Americas.
There are also insights to be gained in comparing common thematic elements. Some of the central questions found in the mythology of Europe and the Americas do not seem to be nearly as imptant to the cultures here. F example, many Asian and Pacific igin sties begin with the wld already in place, moving right along to issues of how people gained tools and created societies. A Western audience might wonder who created the wld, and where the people come from, but these myths focus on how human institutions and technology were carved from the raw, inchoate, dangerous material of nature. From this region, only Japan's tales of Izanagi and Izanami follow the Western tradition of creating solid land from amphous matter. On the other hand, repair of the wld, and the sky in particular, is a theme that occurs all across Asia and the Pacific: pillars, snails, wms, and deities all are depicted as pushing up a low heaven over an inhabited earth, and after that push, the wld starts to look me like our own. This theme of sky repair is also found in African mythology.
Mythology all over the wld is a linking of disparate ideas-already present in social and cultural life-that is then patched together by a styteller in various kinds of innovation, creating something new and often profound. The dynamics of written and al traditions, as well as the watery wld of the Pacific and notions of social der and sacrifice, dominate these intriguing myths.
The Americas
When we consider the "Great Myths of Western Civilization," we tend to initially consider the Greek and Roman gods, and all the many fascinating and epic sties that came out of this canon. It may be surprising to learn that the Americas are also steeped in a rich histy of mythologies, although we tend to use a different vernacular to describe them.
There are thousands of fables and folkle sties told by hundreds of peoples spread across Nth, Central, and South America that have endured the test of time. The Penobscot, Cherokee, Blackfoot, Natchez, Seminole, Hopi, Inuit, Huron, and others were geographically diverse, yet they spun sties with astonishingly similar details and themes. These fables perfmed all the same functions that myths do across the wld: they help address fundamental questions such as where do we come from, how did we get here, what is the wld like, and what do we need to do to survive.
Commonalities across the Lands
Despite differences in location and cultures, there are values and ideas that span the scope of Native American sties. Great Mythologies of the Wld: The Americas takes a deep dive into the commonalities and differences that were found in these widespread mythologies, including:
The notion that nature is sacred, and the tradition of animism (the idea that everything is both alive and holy), is a theme that permeates sties from all over the continents. This wldview is strikingly different from our own modern thought, and provides us with an opptunity to reframe the way we conceptualize the relationship between humans, animals, plants, and even landfms like mountains and rivers.
Creation sties, which are divided into "earth-diver" and "emergence" myths. The fmer conceive of the wld beginning as a primdial sea, with creatures diving to the bottom to bring up mud to fm the earth. The latter envision a series of wlds stacked on top of each other beneath the surface of the earth, with creatures from the bottom levels climbing higher and becoming me humanlike as they ascend.
The archetype of the Trickster, who isn't really evil-just thoughtless, impulsive, and self-serving. However, the Trickster is often also a cultural hero and provides significant contributions to creation.
The role that the al histy of the Native American myths played, and continues to play, is an imptant part of how we understand the cultures today. Sties were told over and over, through centuries, and were passed down to children to teach values and traditions. This tradition means that the same sty told by five different tellers in different situations results in five different sties. Much like a fossil of a paw print, we have the idea of what the animal might look like based on the impression, but we have nothing of the animal itself. The versions we know happened to be collected, translated, and recded by anthropologists, which may also account f some of the inconsistencies in detail. Looking at multiple versions of the same sty and comparing the details can provide insight into which aspects of culture are most imptant most solidly fixed, and which aspects might be less imptant me fluid. As Profess Voth states, "Each myth brings us closer to a me comprehensive and inclusive conception of what it meant and what it means to be human."
Meet a Diverse Cast of Characters
Each section is ganized by ecological geographical region. You'll travel from the Arctic and nthern fest regions, to eastern woodlands, the Southeast, the Plains, and the Southwest. This course also exples myths of the Maya and Aztecs from Mesoamerica and the Inca of the Andes region of South America. Each lecture focuses on the types of myth that characterize these nations and the values manifest in them. As you travel across the nation, you'll meet enriching characters including:
Awonawilona: The All-Father of the Zuni, who contains everything within himself and generated Earth Mother and Sky Father, who then shaped the wld.
Bear Woman
: Figure who appears frequently in the sties of Nthwest Native Americans. In one version told by the Haida (from the islands off the coast of British Columbia and Alaska), her name is Rhpisunt.
Buffalo Woman
: Figure in a myth of the Arikara who shows a young man how to transfm the buffalo people into real animals.
: A creat, culture hero, and trickster in the myths of several Native American peoples, including the Crow, the Navajo, the Hopi, and others.
: Figure associated with the Iroquois Confederacy. In some sties, he becomes a cannibal who is rescued by Deganawida.
: Hunch-backed flute player; he is a fertility god who dates back to the time of the Anasazi.
: Culture hero of the Inuit, as well as a trickster in many sties from the American Nthwest. He has the ability to transfm himself from a bird into a man.
: One of the oldest gods in Mesoamerica, he is found in virtually every culture in the region. His name means "Plumed Serpent."
With every stop on this journey, you'll be treated to fascinating sties, review parallels to other creation and Bible sties, and learn how every set of mythologies has been integrated and adopted to newcomers and the passage of time.

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