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Volker Schl�ndorff's Cinema: Adaptation, Politics and the "Movie-Appropriate" examines the work of major postwar German director Volker Schl�ndorff in historical, economic, and artistic contexts. Incorporating a film-by-film, twenty-eight chapter study, Hans-Bernhard Moeller & George Lellis reveal a complexity and formal ambitiousness of Schl�ndorff that is comparable to that found in Wenders, Herzog, and Fassbinder. In spite of Schl�ndorff's successes with films like The Lost Honor of Katharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid's Tale, this is the first in-depth critical study of the filmmaker's career.

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Tags: Volker, Schlondorff, Cinema, Adaptation, Politics, Appropriate

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